Carry on behind part 2 But

Carry on behind part 2

But this is not to say that The Other Boleyn Girl is all about ornate romance; cues such as Going to Court are more energetic and forceful, with an increased percussion presence, and Annes Coronation is an exultant choral piece of which Handel would be proud, while elsewhere Annes Secret Marriage, Anne is Exiled and Mary Lies for Anne provide the first touches of the shades of darkness that eventually come to characterize the latter parts of the score. Queen Katherines Trial is a stunningly realized piece filled with a sense of dignified resignation and intense sorrow; this continues on into the equally striking Banished. Anne Conspires is a threatening piece underpinned by the unsettling rumble of tremolo strings, while the finale of the score Anne and George, Guilty, The Execution and Finale is a quartet of intensely beautiful, but overwhelmingly sad string-based cues that layer thickly the feelings of velvet-clad heartbreak. Its not subtle, but it packs an undeniable emotional punch. This is all wonderful work by Cantelon, and one which is deserving of high praise, but I can see how this might not appeal to the masses. I have often read comments by people who find this kind of scoring to be boring, probably due to its lack of action music and blaring brasses. I personally find the restraint, elegance and classicism of Cantelons work to be musically refreshing, and intellectually stimulating. It helps, of course, that the thematic writing is strong, and that the orchestrations are clear and precise. This is a score which will appeal to admirers of composers like Georges Delerue, John Barry, Patrick Doyle and George Fenton; as such, I loved it, and I will be watching Paul Cantelons career path with interest. 0 out of 5 stars Copies the Carter Burwell temp track, May 4, 2009 The score plays well in the film, but I felt that it was obviously temp-tracked with Carter Burwells scores from Gods and Monsters, Hamlet, and possibly even Being John Malkovich. The main waltz theme from Gods and Monsters is particularly influential on this score, whcih as it was carry on behind part 2 out, does carry on behind part 2 use any instruments from the period. If the score were especially good, that wouldnt mater, and if the score were especially good, the use of period instruments might get it higher praise than it deserves. I would like to hear more from Paul Cantelon and see if he develops a personal style that is as recognizable as Burwells. If you love a good soundtrack or classical music this is a great buy for you. A pleasure to listen to without the soundtrack pieces that are too dramatic like a fight scene. Very nice soundtrack that I listen to at work without having to feel like I have to turn it down. I love this music!!!! I listen to it constantly and never tire of hearing it! Would highly recommend this CD. Published on April 10, 2009 by K. Hendricks 0 out of 5 stars Quite good, mellow, romantic soundtrack I own several hundred soundtrack albums all the usual suspects Zimmer, Elfman, Horner, etc. I was unfamiliar with Mr. Read more Published on January 31, 2009 by Virginia music lover This might get the prize for the Most Generic Soundtrack of the Decade. It could be the score for just about any movie, but not very interesting for any. Read more Published on June 13, 2008 by wdhspg Whats this? Click on a tag to find related items, discussions, and people. Check the boxes next to the tags you consider relevant or enter your own tags in the field below. each title must be in subject 1 AND subject 2 If you need help or have a question for Customer Service, contact us.