Date movie yes Robert Whiting

Date movie yes

Robert Whiting: And video games? Miyazaki Hayao: No. I once played Shogi note: a Japanese kind of chess with a computer and lost. The PC checks all approaches. Thats not fair. Miyazaki Hayao: He is sighing laughing. Miyazaki Hayao: I once took a Hitchcock-like methodology: planning the last scene first. That is the way I did things when I was young. Robert Whiting: For example? Miyazaki Hayao: Like Rupan Sansei: Kariosutoro no Shiro , Lupin III: The Castle of Cagliostro. Towards the ending I built up the structure in great detail. I designed all the details of the castle, the lake and so on. I made some rules. For example, I always used the same place twice, never once. The first date movie yes from here and the second shot from the opposite side. A kind of brain teaser. It was interesting, but I thought it would be decadence to try such a way once again. So I quit that approach and took another methodology. Robert Whiting: What methodology? Miyazaki Hayao: A methodology of I dont know where the destination is. The only thing I can do is just to start. It s too thrilling and bitter though. It takes a certain amount of time to see beyond the full view of it all. I need to write a certain amount of e-konte till I can understand where the story goes. Robert Whiting: Do you often lose date movie yes story development? Miyazaki Hayao: Always. Then I rewrite all of the memos and consider again where I came from and where I should go to. If I find the way 1 meter ahead, I tentatively crawl there. Robert Whiting: What do you do if you cant find any ideas? Drink? Miyazaki Hayao: Only worrying. Worry, worry and worry in front of a piece of paper. At the end of a long, long worrying, the lid opens in the deep. Anyway, the first storyline surely breaks. I always tell it to my staff as a joke the real movie producing starts from the point where we lose the way to go to. 16th of August, INSIDE NHK PROFESSIONAL ALL OF MIYAZAKI HAYAO PART I: Early this month NHK s Professional featured the 2nd part of their special on Miyazaki Hayao a follow-up to that from March 27 200 Japans public broadcaster aired an exclusive documentary titled Professional Shigoto no Ryugi Special All about Miyazaki Hayao and the Birth of Ponyo in 300 Days and, for those who were unable to see it, will be zooming in on its content, with this being part Two years ago Miyazaki started conceptualizing Ponyo. With water colors he began painting the image boards, painting only the images he wants to paint. Whenever and whatever Im painting, the drawer of my brain begins to open little by little. Rather than that, Im wishing it.